|本期目录/Table of Contents|

从邹向平室内乐《鱼凫祭》看核心主题整体控制技术()

《美育学刊》[ISSN:1003-0654/CN:33-1367/G4]

期数:
2011年05期
页码:
100-105
栏目:
艺术与审美文化研究
出版日期:
2011-09-20

文章信息/Info

Title:
n the Holistic Control Technique of Core themes from the Perspective of Zou Xiangping’s Chamber Music of Yufu Ji
文章编号:
2095-0012(2011)05-0100-06
作者:
江茂琳
杭州师范大学 音乐学院,浙江 杭州310002
Author(s):
JIANG Mao-lin
School of Music, Hangzhou Normal University, Hangzhou 310000, China
关键词:
核心主题整体控制音程节奏
Keywords:
core theme holistic control interval rhythm
分类号:
J632.6
DOI:
-
文献标识码:
A
摘要:
以邹向平室内乐作品《鱼凫祭》为例,通过分析作曲家精心设计的旋律和节奏两个核心主题,并结合其内含的核心音程关系和节奏背景,揭示作品发展中运用的移位、拉宽、缩减、逆行、变形等作曲技术手段以及其于各个部分中进行的严密发展。作曲家于作品中展示的对核心主题材料的整体控制技术,为人们进一步了解核心主题控制技术及其在作品分析和创作中的实际运用价值做出了有益的尝试。
Abstract:
This paper, based on Zou Xiangping’s chamber music, Yufu Ji, analyses the two core themes of melody and rhythm in the music designed elaborately by the composer. It discloses the work’s composing techniques such as displacement, extension, reduction, reversion and deformation, as well as the development of different parts. The composer exhibited the holistic control technique of core themes in the work, which can be seen as a deserved experiment in helping others to understand the control technique of core themes and its practical value in analysis and creation of musical works.

参考文献/References

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备注/Memo

备注/Memo:
收稿时间:2011-05-05
作者简介:江茂琳(1980-),女,四川省自贡市人,杭州师范大学音乐学院2007级理论作曲方向硕士研究生。
更新日期/Last Update: 2012-01-01