|本期目录/Table of Contents|

迹象韵格,以舞道心——中国书法与舞蹈的美学共性探究
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《美育学刊》[ISSN:1003-0654/CN:33-1367/G4]

期数:
2011年03期
页码:
113-117
栏目:
艺术与审美文化研究
出版日期:
2011-05-20

文章信息/Info

Title:
A Study of the Common Aesthetic Character of Chinese Calligraphy and Dance
文章编号:
2095-0012(2011)03-0113-05
作者:
任娜1 何琦2
1.浙江传媒学院 音乐学院,浙江 杭州310018;2.中国美术学院 公共艺术学院,浙江 杭州310024
Author(s):
REN Na1 HE Qi2
1. School of Music and Dance, Zhejiang University of Media and Communications, Hangzhou 310018, China; 2. School of Public Art, China Academy of Art, Hangzhou 310024, China
关键词:
动势韵律意境
Keywords:
movement rhythm artistic conception
分类号:
J701
DOI:
-
文献标识码:
A
摘要:
以林怀民及其“云门舞集”为研究对象,着重探讨中国书法与舞蹈的美学共性,同时对这些美学特性的本质和形成渊源进行分析。认为,中国书法与舞蹈有着相通的时间观和空间观,从而由“迹”到“象”构成了书法与舞蹈的运动方式,体现出别具特色的动势美;中国书法与舞蹈都是以“艺”贯“道”,千变万化的风格皆源于它们自身的节奏和韵律之美;中国书法与舞蹈之“体”皆来自于艺术家之“心”, 美妙的视象意境都是书家、舞者的心灵活跃所造化而成的。充分理解舞蹈美学的特点,有助于编导和舞者创造出美的空间调度、美的动作和美的艺术形象。
Abstract:
This paper, based on Lin Huaimin and his “Yunmenwuji” Dance Group, mainly discusses the common aesthetic character of Chinese calligraphy and Dance and analyses the nature of the character and its source. The authors hold the position that Chinese calligraphy and dance share the common concept of time and space, which uses the mode of movement from “trace” to “image” and displays a unique moving beauty. Both Chinese calligraphy and dance apply their principles through art, and their various styles are all originated from their rhythmical beauty. The form of Chinese calligraphy and dance is derived from the artist’s mind. Beautiful visual images are developed by calligraphers and dancers’ artistic conception. The aesthetic interpretation of dancing art can help choreographers and dancers to create beautiful spatial dimensions, beautiful acts and beautiful artistic images.

参考文献/References

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备注/Memo

备注/Memo:
 收稿时间:2011-03-16
作者简介:任娜(1984-),女,陕西西安人,浙江传媒学院音乐学院助教,硕士,主要从事中国民族民间舞教学和研究;何琦(1984-),男,浙江绍兴人,中国美术学院公共艺术学院硕士研究生,主要从事艺术鉴赏和研究。
更新日期/Last Update: 2011-07-12