|本期目录/Table of Contents|

昆曲上声字的字声特征与腔格研究()

《美育学刊》[ISSN:1003-0654/CN:33-1367/G4]

期数:
2011年03期
页码:
108-112
栏目:
艺术与审美文化研究
出版日期:
2011-05-20

文章信息/Info

Title:
The Tone Feature and the Tune Metre of the Chinese Characters of Rising Tone in KunQu Opera
文章编号:
2095-0012(2011)03-0108-05
作者:
田韶东
杭州市工人文化宫,浙江 杭州310006
Author(s):
Tian Shao-dong
Hangzhou workers’ palace of culture, Hangzhou 310006, China
关键词:
昆曲上声字腔格
Keywords:
Kunqu opera Rising tone character tune metre
分类号:
J617.19
DOI:
-
文献标识码:
A
摘要:
昆曲上声字主要使用嚯腔和口罕腔等润腔方式来实现四声调值,此外,带腔、迭腔、啜腔、滑腔等增加色彩的装饰性润腔在上声字演唱中也有所使用。上声字在前,阴入声字在后,上声字与阴入声字组合时,上声字的音高往往低于阴入声字的音高,这是各个字声调值高低关系的体现。上声字在和阴入声字结合使用时,由于入声字出声即断的特点,上声字腔格要比入声字长。
Abstract:
The rising tone characters in Kunqu opera mainly use Huo cavity and Run cavity ways to realize the value of four tones. Moreover, the Dai cavity, the Die cavity, the Chuo cavity and the Hua cavity also have the same usage. The rising tone character and the cloudy entering tone block are fashionable. The pitch of the rising tone character isoften lower than that of the cloudy entering tone character. When the rising tone character is used with the cloudy entering tone character, because the entering tone character makes noise the characteristic noise which namely breaks, the tune metre of the rising tone character is longer than that of the entering tone character.

参考文献/References

备注/Memo

备注/Memo:
收稿时间:2011-01-18
基金项目:2009年度“浙江文化研究工程”浙江省哲学社会科学规划重点课题《昆曲演唱艺术研究》(09WHZT011Z)的研究成果之一。
作者简介:田韶东,(1969-),男,河南方城人,音乐学硕士,杭州市工人文化宫文艺干事,主要从事民族音乐学研究。
更新日期/Last Update: 2011-07-12