|本期目录/Table of Contents|

电视:影像重述的世界()

《美育学刊》[ISSN:1003-0654/CN:33-1367/G4]

期数:
2011年01期
页码:
90-96
栏目:
艺术与审美文化研究
出版日期:
2011-01-20

文章信息/Info

Title:
TV: A World of Image Reiteration
文章编号:
2095-0012(2011)01-0090-07
作者:
南野
浙江传媒学院 影视艺术学院,浙江 杭州 310018
Author(s):
NAN Ye
School of Film and TV Art, Zhejiang University of media and Communications, Hangzhou 310018
关键词:
电视视觉重述重构
Keywords:
TV visual reiteration reconstruction
分类号:
J90-02
DOI:
-
文献标识码:
A
摘要:
影像重述或重构的含意指向视像与事实世界的关系,电视正是以重构的视像世界覆盖世界,使之具备意义。电视的感官直接性并不意味着表达的简单化,电子媒介的美学依据恰是导致复杂寓意的技术与心理的综合。因此电视为大众娱乐的复制、普及和意识形态的直接传导提供了支持,唯独在深刻文化的表达与精英视点的转述上被冷落或自我放弃,其原因源于对视觉技术的偏面使用,在于对这一技术和文化理解的不成熟。实际上,电视本身重构的言语方式已经提供着消除乏味、偏见等的可能性,它的表现力足以使它逼近语言世界的内核而非表象。电视影像的重述意义正是在此基点上展开。对电视的语言学观念与叙述方式的多重思考已经十分迫切。
Abstract:
Image reiteration or reconstruction implicates the relations between visual image and the factual world. TV influences the factual world with its world of visual image reiteration. Its direct sensory perception does not only function as a way of simple expression. The aesthetic principles of electronic media explain the meaningful synergy of technology and psychology. TV programs provide support for reproduction and dissemination of people’s entertainment, and direct ideological propaganda as well, but the profound expression of culture and report of elite views is neglected or abandoned, due to the one-sided application of visual technology and immature knowledge of the relationship between technology and culture. On the other hand, its pattern of expression also creates the possibility of reducing dullness and prejudice. Its expressiveness enables itself to get closer to the core of the language world, not only staying at the surface level. This is where the significance of TV image reiteration lies. Therefore, it is an urgent task to reflect on the concept of TV language and its narrative pattern.

参考文献/References

备注/Memo

备注/Memo:
收稿日期:2010-09-08
作者简介:南野(1955-),本名吴毅,男,浙江玉环人,浙江传媒学院影视艺术学院教授,主要从事影视理论和影视美学研究。
更新日期/Last Update: 2011-06-15